System for generating calibrated multi-channel non-coherent signals

ABSTRACT

A system for generating calibrated multi-channel non-coherent signals. The system comprises a plurality of synthesizers for generating a corresponding plurality of signals, and a plurality of filters for band-pass filtering the plurality of generated signals. Each filter filters the signal generated by one of the plurality of synthesizers, by performing the band-pass filtering in a dedicated frequency band. The system comprises a plurality of loudspeakers for playing the plurality of filtered signals respectively filtered by the plurality of filters. The system comprises a channel configurator for configuring at least one of the filters for performing the band-pass filtering according to a calibrated amplitude spectrum of the signal. The calibrated amplitude spectrum is determined based on a reference amplitude spectrum of the signal and at least one of the following parameters: a target global signal amplitude, a directionality of the signal when played by the corresponding loudspeaker, and a frequency response of the synthesizer.

TECHNICAL FIELD

The present disclosure relates to the field of simulation. Morespecifically, the present disclosure relates to a system for generatingcalibrated multi-channel non-coherent signals in the context ofsimulation.

BACKGROUND

To render simulation more realistic, noise sounds generated duringoperating conditions are included in the simulation as simulated noisesounds. Simulated noise sounds are typically generated through filteringsignals (e.g. signals captured during operating conditions), theisolation of various sources and a playback of the sources. Sound modelsoutputs are mixed and sent to a distribution mixer. For example in thecontext of a flight simulator, sound models are generally furtheradapted with equalization filters. However, those filters do not takeinto account multiple parameters, including the simulator ambient noise,inter-model coherent signals, channel effectiveness, channels travelingpaths, etc. Consequently, the equalization filters are calibratedmanually by the factory before shipping, to try to take intoconsideration these parameters.

However, the manual factory calibration information may be lost whenmultiple filters are applied on sound models. An additional step isneeded to adapt the sound models to meet a required global sound level.If a change in the simulator ambient noise occurs, the global soundlevel is affected which requires new adjustments to be performed on thesound models. The application of multiple filters also affects thetraceability of the sound models with the initial raw data, makingupdates and new adjustments difficult to perform.

Another issue occurs when the quality of a plurality of loudspeakersused for playing the plurality of simulated noise sounds duringsimulation is not constant. In particular, the low frequency response ofthe loudspeakers may vary significantly, based on the cost and qualityof each one of the loudspeakers used for the simulation. Consequently,the rendering of sound models having low frequencies is significantlyaffected by the low frequency response of the loudspeakers in charge ofplaying these sound models with low frequencies.

There is therefore a need for a new system for generating calibratedmulti-channel non-coherent signals.

SUMMARY

According to a first aspect, the present disclosure provides a systemfor generating calibrated multi-channel non-coherent signals taking intoconsideration a target global signal amplitude. The system comprises aplurality of synthesizers for generating a corresponding plurality ofsignals. The system comprises a plurality of filters for band-passfiltering the plurality of generated signals. Each filter filters thesignal generated by one of the plurality of synthesizers. Each filter isconfigured for performing the band-pass filtering in a dedicatedfrequency band. The system comprises a plurality of loudspeakers forplaying the plurality of filtered signals. Each loudspeaker plays thesignal filtered by one of the plurality of filters. The system comprisesa channel configurator for configuring at least one of the filters forperforming the band-pass filtering according to a calibrated amplitudespectrum of the signal. The calibrated amplitude spectrum is determinedbased on a reference amplitude spectrum of the signal and a targetglobal signal amplitude.

According to a second aspect, the present disclosure provides a systemfor generating calibrated multi-channel non-coherent signals, takinginto consideration a directionality of the signals when played byloudspeakers. The system comprises a plurality of synthesizers forgenerating a corresponding plurality of signals. The system comprises aplurality of filters for band-pass filtering the plurality of generatedsignals. Each filter filters the signal generated by one of theplurality of synthesizers. Each filter is configured for performing theband-pass filtering in a dedicated frequency band. The system comprisesa plurality of loudspeakers for playing the plurality of filteredsignals. Each loudspeaker plays the signal filtered by one of theplurality of filters. The system comprises a channel configurator forconfiguring at least one of the filters for performing the band-passfiltering according to a calibrated amplitude spectrum of the signal.The calibrated amplitude spectrum is determined based on a referenceamplitude spectrum of the signal and a directionality of the signal whenplayed by the corresponding loudspeaker.

According to a third aspect, the present disclosure provides a systemfor generating calibrated multi-channel non-coherent signals, takinginto consideration a frequency response of synthesizers generating thesignals. The system comprises a plurality of synthesizers for generatinga corresponding plurality of signals. The system comprises a pluralityof filters for band-pass filtering the plurality of generated signals.Each filter filters the signal generated by one of the plurality ofsynthesizers. Each filter is configured for performing the band-passfiltering in a dedicated frequency band. The system comprises aplurality of loudspeakers for playing the plurality of filtered signals.Each loudspeaker plays the signal filtered by one of the plurality offilters. The system comprises a channel configurator for configuring atleast one of the filters for performing the band-pass filteringaccording to a calibrated amplitude spectrum of the signal. Thecalibrated amplitude spectrum is determined based on a referenceamplitude spectrum of the signal and a frequency response of thesynthesizer.

BRIEF DESCRIPTION OF THE DRAWINGS

Embodiments of the disclosure will be described by way of example onlywith reference to the accompanying drawings, in which:

FIG. 1 illustrates a legacy system for generating calibratedmulti-channel coherent signals;

FIG. 2 illustrates a physical simulation environment of a simulatorusing the legacy system represented in FIG. 1;

FIGS. 3A, 3B and 3C illustrate the processing by the legacy systemrepresented in FIG. 1 of the amplitude spectrum of model signals;

FIG. 4 illustrates a system for generating calibrated multi-channelnon-coherent signals;

FIG. 5 illustrates the determination by the system represented in FIG. 4of the calibrated amplitude spectrum of the signals, taking intoconsideration a target global signal amplitude;

FIG. 6 illustrates the determination by the system represented in FIG. 4of the calibrated amplitude spectrum of the signals, taking intoconsideration a directionality of the signals when played loudspeakers;

FIGS. 7A and 7B illustrate the determination by the system representedin FIG. 4 of the calibrated amplitude spectrum of the signals, takinginto consideration a frequency response of synthesizers generating thesignals;

FIGS. 8A, 8B and 8C illustrate different examples of channelconfigurations;

FIG. 9 illustrates a different embodiment of the system represented inFIG. 4 for generating different types of signals;

FIG. 10 is schematic representation of several components of the systemrepresented in FIG. 4;

FIG. 11 illustrates selection of a loudspeaker based on its lowfrequency rendering;

FIGS. 12A, 12B and 12C illustrate an exemplary selection by the systemof FIG. 11 of a loudspeaker among two loudspeakers having respective lowfrequency responses;

FIGS. 13 and 14 further illustrate a system for dynamically calibratingmulti-channel non-coherent signals; and

FIG. 15 illustrates an algorithm implemented by a channel configuratorof the system represented in FIGS. 13 and 14.

DETAILED DESCRIPTION

The foregoing and other features will become more apparent upon readingof the following non-restrictive description of illustrative embodimentsthereof, given by way of example only with reference to the accompanyingdrawings. Like numerals represent like features on the various drawings.

Various aspects of the present disclosure generally address one or moreof the problems related to the generation of calibrated multi-channelnon-coherent signals used in a simulator.

Throughout the present description, the following expressions are usedwith relation to the corresponding description:

Loudspeaker: a device that changes electrical signals into sounds loudenough to be heard at a distance;

Physical simulation environment: physical space in which a simulation isperformed, for example a room, a simulator, etc.; and

Wall: a physical delimitation either fixed or movable.

Legacy System for Generating Calibrated Multi-Channel Coherent Signals

Referring now concurrently to FIGS. 1, 2, 3A, 3B and 3C, a legacy system100 for generating calibrated multi-channel coherent signals isrepresented. The system 100 comprises a synthesizer 110, a distributionmixer 120, a plurality of filters 130 and a plurality of loudspeakers140. The plurality of loudspeakers 140 are positioned on a wall 155 of aphysical simulation environment 150 of a simulator. FIG. 2 represents ahorizontal sectional view of the physical simulation environment 150.

The entire physical simulation environment 150 and the simulator are notrepresented in FIG. 2 for simplification purposes. The term physicalsimulation environment shall be interpreted in a generic manner, as aphysical structure where a user of the simulator is positioned forinteracting with the simulator during a simulation. The position of theuser of the simulator in the physical simulation environment 150 isindicated with reference 160.

The simulator may relate to any of the following: a vehicle simulator, ahealthcare simulator, a military simulator, a mining simulator, etc. Forexample, the simulator may be an aircraft simulator, and the physicalsimulation environment 150 may be a simulated aircraft cockpit.

The number of loudspeakers 140, and the position of each loudspeaker 140on the wall 155 of the physical simulation environment 150, varies basedon the type of simulator, based on specific simulation needs, etc. Forinstance, the height of each loudspeaker 140 on the wall 155, as well asthe distance between two neighboring loudspeakers 140, varies based onspecific simulation needs. Furthermore, a larger number of loudspeakers140 may allow for a more realistic simulation, while a lower number ofloudspeakers 140 is more cost effective.

The position 160 of the user of the simulator is not necessarilycentralized with respect to the physical simulation environment 150, asillustrated in FIG. 2. The user positioned at position 160 receives aplurality of sound signals 141 respectively played by the plurality ofloudspeakers 140. The sound signals 141 simulate the real sounds thatthe user of the simulator would receive when placed in real conditionscorresponding to the simulation being currently performed. For example,in the case of the simulation of an aircraft, the sound signals 141simulate the real sounds generated by a corresponding real aircraftduring a takeoff phase, during a landing phase, during a high altitudehovering phase, etc. The sound signals 141 comprise ambient noisesignals of the simulated physical environment, tone signals of thesimulated physical environment, a combination of ambient noise signalsand tone signals, etc. Examples of noise signals for an aircraftsimulator include aerodynamic hiss, the noise of engines, etc. Examplesof tone signals for an aircraft simulator include the sound generated byflaps being raised or lowered, the sound generated by the deployment orretracting of landing gear, the sound generated by the activation of ahydraulic pump, etc.

The plurality of sound signals 141 played by the plurality ofloudspeakers 140 is generated by the system 100 as follows. Thesynthesizer 110 generates a mixed signal composed of a plurality ofmodel signals mixed together. Each model signal simulates a particularsound (e.g. a particular noise signal or a particular tone signal) ofthe simulated physical environment, and has a particular amplitudespectrum. FIG. 3A illustrates a simplified example of amplitude spectrumof two model signals 1 and 2. FIG. 3B illustrates a simplified exampleof the amplitude spectrum of the mixed signal obtained by mixing modelsignal 1 and model signal 2 together.

The mixed signal is transmitted to the distribution mixer 120, whichsplits the mixed signal into a plurality of channels. Each particularchannel consists of a signal comprising a particular range offrequencies of the mixed signal. For illustrations purposes, FIG. 1represents the splitting of the mixed signal into three channels.However, the number of channels may vary, and is at least equal to two.FIG. 3C illustrates a simplified example of the splitting of the mixedsignal of FIG. 3B into three channels. Channel 1 comprises the lowerfrequencies (e.g. F₁ and F₂ as illustrated in FIGS. 3A-C), channel 2comprises intermediate frequencies (e.g. F₃ and F₄ as illustrated inFIGS. 3A-C), and channel 3 comprises the higher frequencies (e.g. F₅ asillustrated in FIGS. 3A-C).

The signal of each channel is transmitted to an equalization filter 130.Each equalization filter 130 is configured for performing a band-passfiltering of the signal of the corresponding channel in a dedicatedfrequency band. The filtered signal of each channel is then transmittedto a loudspeaker 140, for playing the filtered signal of thecorresponding channel. There is one dedicated filter 130 and onededicated loudspeaker 140 for each channel generated by the distributionmixer 120. The signals 141 played by the loudspeakers 140 have beenpreviously described with reference to FIG. 2.

The plurality of model signals mixed together by the synthesizer 110 togenerate the mixed signal are generally recorded during real operatingconditions of the physical environment to be simulated. A library ofrecorded model signals is stored at the synthesizer 110. When simulatinga particular phase (e.g. takeoff, landing, etc.), the recorded modelsignals corresponding to the particular phase are mixed together forgenerating the mixed signal transmitted to the distribution mixer 20.

The filters 130 are calibrated individually, so that the combination ofthe sound signals 141 received by a user positioned at position 160 hasan adequate amplitude. The adequate amplitude is determined by placingthe user at position 160 and performing the calibration of the filters130 until the amplitude of the combination of the sound signals 141 isadequate for performing the simulation.

Once the calibration has been performed, an operational phase of thesimulation is performed. The operational phase consists in having a userpositioned at position 160, for effectively performing the simulationwhile receiving the combination of the sound signals 141. However, ifthe conditions of the simulation vary slightly, the determined adequateamplitude may no longer be satisfying. In this case, the calibration ofthe equalization filters 130 need to be repeated, to take intoconsideration the variations in the conditions of the simulation. Sincethe calibration is a complex and time consuming process, avoiding theneed for manually recalibrating the equalization filters 130 wouldgreatly facilitate the configuration of the simulator.

Furthermore, since the mixed signal is obtained by mixing together aplurality of model signals, and the mixed signal is then split into aplurality of channels, the resulting sound signals 141 played by theloudspeakers 140 in the physical simulation environment 150 arecoherent. Coherent sound signals in turn may affect the quality of thesound simulation, by creating comb filters (a delayed version of one ofthe model signals is added to the model signal itself, causingconstructive and destructive interference).

Calibrated Multi-Channel Non-Coherent Signals

Referring now concurrently to FIGS. 2 and 4, a new system 200 forgenerating calibrated multi-channel non-coherent signals is representedin FIG. 4. The system 200 comprises a plurality of synthesizers 110, aplurality of filters 130, a plurality of loudspeakers 140, and a channelconfigurator 210. As mentioned previously with reference to FIG. 2, theplurality of loudspeakers 140 are positioned on the wall 155 of thephysical simulation environment 150 of the simulator. A first differencewith the legacy system 100 represented in FIG. 1 is that eachsynthesizer 110 is dedicated to a particular channel. Thus, for eachparticular channel, the dedicated synthesizer 110 generates a signalwhich is filtered by the corresponding filter 130, and is further playedby the corresponding loudspeaker 140. For illustrations purposes, FIG. 4represents three synthesizers 110 for operating three correspondingchannels. However, the number of synthesizers (and correspondingchannels) may vary, and is at least equal to two. A second differencewith the legacy system 100 represented in FIG. 1 is the usage of thechannel configurator 210, for automatically configuring the signalsgenerated by the plurality of channels. For example, as shown on FIG. 4,the channel configurator 210 configures the filters 130 of channel 1 andchannel 3, but not the filter associated with channel 2. However, thechannel configurator 210 could configure the filters 130 of all channels(i.e. channels 1, 2 and 3).

The channel configurator 210 configures the filters 130 to performband-pass filtering of the signal generated by the synthesizer 110according to a calibrated amplitude spectrum of the signal. Thecalibrated amplitude spectrum is determined based on a referenceamplitude spectrum of the signal and at least one parameter selectedamong one of the following: a target global signal amplitude, adirectionality of the signal when played by the correspondingloudspeaker 140, and a frequency response of the synthesizer 110.

The calibrated amplitude spectrum is determined by the channelconfigurator 210, and the filters 130 are configured to performband-pass filtering of the signal generated by the correspondingsynthesizer 110 according to the calibrated amplitude spectrum.Alternatively or concurrently, as shown on FIG. 4, the channelconfigurator 210 configures the synthesizer 110 with informationallowing the synthesizer 110 to determine the calibrated amplitudespectrum, and then generate the signal according to the calibratedamplitude spectrum.

Referring now to FIGS. 2, 4 and 5, the determination of the calibratedamplitude spectrum, based on the reference amplitude spectrum of thesignal and the target global signal amplitude will be described.

For each channel N (e.g. channels 1, 2 and 3 illustrated in FIG. 4), amodel signal for simulating a particular sound (e.g. a model noisesignal or a model tone signal) of the simulator is stored at thesynthesizer 110 responsible for generating the signal for channel N. Themodel signal is generally recorded during real operating conditions, asmentioned previously in the description. The model signal for eachchannel N has a reference amplitude spectrum illustrated in FIG. 5.

The target global signal amplitude is stored by the channel configurator210. The target global signal amplitude is selected so that thecombination of the sound signals 141 played by the loudspeakers 140 andreceived by a user positioned at position 160 in the physical simulationenvironment 150 has an adequate amplitude, delay, phase and ponderationwhen performing the simulation.

For each channel N, the channel configurator 210 configures thesynthesizer 110, the filter 130, or the synthesizer 110 and the filter130 to generate a calibrated model signal having a calibrated amplitudespectrum determined based on the corresponding model signal having thereference amplitude spectrum. The configuration of the plurality ofsynthesizers 110 and plurality of filters 130 takes into account thetarget global signal amplitude.

Various algorithms can be implemented by the channel configurator 210for performing this configuration. For instance, as illustrated in FIG.5, for each channel N, the reference amplitude spectrum for channel Nhas a reference average amplitude. Similarly, for each channel N, thecalibrated amplitude spectrum for channel N has a calibrated averageamplitude. The channel configurator 210 determines the calibratedaverage amplitudes of the channels based on the reference averageamplitudes of the channels and the target global signal amplitude, sothat the sum of the calibrated average amplitudes is substantially equalto the target global signal amplitude. This algorithm can be appliedbecause the resulting signals 141 played by the loudspeakers 140 areincoherent. The determination of the calibrated average amplitudesconsists in determining a common multiplying factor, so that when eachreference average amplitude is multiplied by the common multiplyingfactor for calculating the corresponding calibrated average amplitude,the sum of the calculated calibrated average amplitudes is substantiallyequal to the target global signal amplitude. The common multiplyingfactor is transmitted by the channel configurator 210 to the synthesizer110 and/or the filter 130, and the synthesizer 110 and/or the filter 130uses the common multiplying factor for generating the calibrated modelsignal having the calibrated amplitude spectrum based on thecorresponding model signal having the reference amplitude spectrum.

For each particular phase of the simulation (e.g. landing, takeoff,etc.), only a subset of the available synthesizers 110 may be used. Eachone of the used synthesizer 110 generates one of the calibrated modelsignals used for this particular phase of the simulation. The channelconfigurator 210 determines which synthesizers 110 are used; and amongthe used synthesizers, which specific synthesizer 110 generates whichspecific calibrated model signal with corresponding amplitude, phase anddelay and how each corresponding filter 130 is configured to perform thecorresponding band-pass filtering. A different target global signalamplitude can be stored at the channel configurator 210 for eachparticular phase of the simulation. A library of model signals coveringall the possible phases of the simulation are stored at each synthesizer110, and calibrated model signals are generated on demand by eachsynthesizer 110 under the control of the channel configurator 210.Alternatively, the channel configurator 210 stores the library of modelsignals, and transmits a particular model signal among those present inthe library to a particular synthesizer and/or to a particular filterfor generating a corresponding calibrated model signal.

Referring now to FIGS. 2, 4 and 6, the determination of the calibratedamplitude spectrum of the signal generated, based on the referenceamplitude spectrum of the signal and the directionality of the signalwhen played by the corresponding loudspeaker 140 will be described.

FIG. 7A illustrates an angle of incidence a determined between the wall155 of the physical simulation environment 150 and the sound signal 141played by each one of the loudspeakers 140.

The calibrated amplitude spectrum of the signal generated by aparticular synthesizer 110 and the corresponding filter 130 isdetermined by modulating the reference amplitude spectrum of the signalwith the angle of incidence a determined for the correspondingloudspeaker 140. For example, referring to FIG. 5, the reference averageamplitude of the reference amplitude spectrum is modulated by the angleof incidence a to determine the calibrated average amplitude of thecalibrated amplitude spectrum. An exemplary modulating factor is equalto 1/sin(α). In this case, if the angle of incidence of the sound signal141 is horizontal (α is equal to 90 degrees), the modulating factor isequal to 1. If the angle of incidence of the sound signal 141 is nothorizontal (α is greater or lower than 90 degrees), the modulatingfactor is greater to 1 and increases as the angle of incidence aincreases.

Referring now to FIGS. 2, 4, 7A and 7B, the determination of thecalibrated amplitude spectrum of the signal generated by the synthesizer110 and filter by the corresponding filter 130, based on the referenceamplitude spectrum of the signal and a frequency response of thesynthesizer 110 will be described.

For each channel, either the synthesizer 110 and/or the filter 130 isconfigured to generate the calibrated model signal. For example, thefrequency response of the synthesizer may be static, so that aparticular synthesizer 110 always applies the same frequency response,and the corresponding filter 130 is configured to perform band-passfiltering according to the calibrated amplitude spectrum of the signaldetermined by the channel configurator 210. Alternatively, if thefrequency response of the synthesizer 110 is dynamic, the synthesizer110 is configured by the channel configurator 210 with a particularfrequency response adapted to the particular model signal processed bythe synthesizer 110. The static or dynamic response is stored by thesynthesizer 110.

FIG. 7A represents the reference amplitude spectrum of the model signalfor a channel N. The synthesizer 110 in charge of channel N isconfigured with the frequency response also represented in FIG. 7A. Forillustration purposes, the frequency response is a band-pass filter onlyallowing the frequencies of the model higher than F_(min) and lower thanF_(max). The boundaries of the band-pass filter (F_(min) and F_(max))are configured by the channel configurator 210.

FIG. 7B represents the calibrated amplitude spectrum of the calibratedmodel signal after applying the calibrated filter 130 to the signalgenerated by the corresponding synthesizer 110. The frequency F₁ of thesignal generated by the synthesizer 110 has been cut, while thefrequencies F₂ and F₃ have been allowed, by the band-pass filter 130.Thus, the calibrated amplitude spectrum of the calibrated model signalonly comprises frequencies F₂ and F₃.

The band-pass filter illustrated in FIG. 7A is for illustration purposesonly. Other types of frequency responses (e.g. low pass filter, highpass filer, etc.) can be configured, and applied to the model signal bythe filter 130 to generate the calibrated model signal.

In a particular embodiment, the frequency response of each filter 130 isa band-pass filter allowing frequencies in a frequency band [F_(min),F_(max)] corresponding to one third of an octave. For instance, a firstfilter 130 has a frequency band corresponding to the 1st third of aparticular octave. A second filter 130 has a frequency bandcorresponding to the 2nd third of the particular octave. A third filter130 has a frequency band corresponding to the 3^(rd) third of theparticular octave. A fourth filter 130 has a frequency bandcorresponding to the 1st third of the octave following the particularoctave, etc.

The aforementioned parameters (target global signal amplitude,directionality of the signal when played by the correspondingloudspeaker 140, and frequency response of the filter 130) may becombined for determining the calibrated amplitude spectrum of thecalibrated model signal generated by the synthesizer 110, based on thereference amplitude spectrum of the model signal. Any combination of twoof the parameters, and also the combination of the three parameters, canbe used for determining the calibrated amplitude spectrum of thecalibrated model signal. For example, as illustrated previously, thefrequency response of the synthesizer 110 is used for adjusting outfrequencies, phase and delay of the reference amplitude spectrum of themodel signal. Then, the target global signal amplitude is used foradapting the reference average amplitude of the remaining frequencies(the one which have not been filtered out) of the reference amplitudespectrum of the model signal.

Referring now to FIGS. 8A, 8B, 8C and 9, several alternatives of channelconfiguration are illustrated.

The signal generated by each one of the synthesizers 100 consists of oneof the following: a noise signal, a combination of noise signals, a tonesignal, a combination of tone signals, and a combination of at least onenoise signal and at least one tone signal.

FIG. 8A illustrates a synthesizer 110 generating a noise signal, whichis filtered by the corresponding filter 130 and played by thecorresponding loudspeaker 140. Alternatively, the global noise signalplayed by the synthesizer 110 is a combination of several independentnoise signals.

FIG. 8B illustrates a synthesizer 110 generating a combination of anoise signal and a tone signal, which is filtered by the correspondingfilter 130 and played by the corresponding loudspeaker 140.

FIG. 8C illustrates a synthesizer 110 generating a noise signal. A mixer230 is included in the system 200 for mixing the noise signal generatedby the synthesizer 110 with a tone signal generated by anothersynthesizer 220. The resulting combination of the noise signal and thetone signal is filtered by the corresponding filter 130 and played bythe corresponding loudspeaker 140.

Referring now to FIG. 9, a combination of synthesizer(s) 110A operatingunder the control of the channel configurator 210 (as illustrated inFIG. 4) and synthesizer(s) 110B operating in combination with adistribution mixer 120 (as illustrated in FIG. 1) is represented. Thesynthesizer 110A is configured by the channel configurator 210, andoperates accordingly, as previously described. The synthesizer 110Agenerates a calibrated model signal on channel 1. The synthesizer 110Band the distribution mixer 120 operate as previously described. A mixedsignal composed of two model signals mixed together is generated by thesynthesizer 110B, and split by the distribution mixer 120 into twocorresponding signals transmitted on channels 2 and 3. The synthesizer110B may also be operating under the control of the channel configurator210, in a manner similar to the synthesizer 110A.

The channel configurator 210 further configures the filters 130 of thechannels 1 and 2 to perform band-pass filtering according to thecalibrated amplitude spectrum for received by the channel configurator210. As shown on FIG. 9, the present channel configurator 210 maycalibrate the filters 130 of several channels, without necessarilycalibrating the filters 130 of all channels.

Referring now to FIG. 10, details of the channel configurator 210,synthesizer 110 and filter 130 will be described.

The channel configurator 210 comprises a processing unit 211, having oneor more processors (not represented in FIG. 10 for simplificationpurposes) capable of executing instructions of computer program(s) (e.g.a configuration algorithm). Each processor may further have one orseveral cores.

The channel configurator 210 also comprises memory 212 for storinginstructions of the computer program(s) executed by the processing unit211, data generated by the execution of the computer program(s), datareceived via a configuration interface 213 of the channel configurator210, etc. The channel configurator 210 may comprise several types ofmemories, including volatile memory, non-volatile memory, etc.

The channel configurator 210 further comprises the configurationinterface 213. For instance, the configuration interface 213 comprises acommunication interface (e.g. a Wi-Fi interface, an Ethernet interface,a cellular interface, a combination thereof, etc.) for exchanging datawith other entities (such as the synthesizer 110, optionally the filter130, a remote computing entity, etc.) over a communication network. Theconfiguration interface 213 may also comprise a user interface (e.g. amouse, a keyboard, a trackpad, a touchscreen, etc.) for allowing a userto interact with the channel configurator 210.

Optionally, the channel configurator 210 further comprises a display(e.g. a regular screen or a tactile screen) for displaying datagenerated by the processing unit 211.

The channel configurator 210 may be implemented by a standard desktop orlaptop computer, or by a dedicated computing device having computingcapabilities and performances.

The synthesizer 110 comprises a processing unit 111, having one or moreprocessors (not represented in FIG. 10 for simplification purposes)capable of executing instructions of computer program(s) (e.g. aconfiguration algorithm). Each processor may further have one or severalcores.

The synthesizer 110 also comprises memory 112 for storing instructionsof the computer program(s) executed by the processing unit 111, datagenerated by the execution of the computer program(s), data received viaa configuration interface 113 of the synthesizer 110, etc. Thesynthesizer 110 may comprise several types of memories, includingvolatile memory, non-volatile memory, etc.

The synthesizer 110 further comprises the configuration interface 113.For instance, the configuration interface 113 comprises a communicationinterface (e.g. a Wi-Fi interface, an Ethernet interface, a cellularinterface, a combination thereof, etc.) for exchanging data with otherentities (such as the channel configurator 210, a remote computingentity, etc.) over a communication network.

The synthesizer 110 also comprises specialized hardware and/orspecialized software 114 for performing the generation of the signalsgenerated by the synthesizer 110.

The filter 130 comprises a processing unit 131, having one or moreprocessors (not represented in FIG. 10 for simplification purposes)capable of executing instructions of computer program(s) (e.g. aconfiguration algorithm). Each processor may further have one or severalcores.

The filter 130 also comprises memory 132 for storing instructions of thecomputer program(s) executed by the processing unit 131, data generatedby the execution of the computer program(s), data received via aconfiguration interface 133 of the filter 130, etc. The filter 130 maycomprise several types of memories, including volatile memory,non-volatile memory, etc.

The filter 130 further comprises the configuration interface 133. Forinstance, the configuration interface 133 comprises a communicationinterface (e.g. a Wi-Fi interface, an Ethernet interface, a cellularinterface, a combination thereof, etc.) for exchanging data with otherentities (such as the channel configurator 210, a remote computingentity, etc.) over a communication network.

The filter 130 also comprises specialized hardware and/or specializedsoftware 134 for performing the filtering of the signals filtered by thefilter 130 as instructed by the channel configurator 210.

Examples of data received via the configuration interface 213 of thechannel configurator 210, include: the target global signal amplitude,the library of model signals having respective reference amplitudespectrums, etc.

Examples of data transmitted by the configuration interface 213 of thechannel configurator 210, received by the configuration interface 113 ofthe synthesizer 110, and stored in the memory 112 of the synthesizer110, include: the reference amplitude spectrum of the model signal, thefrequency response of the synthesizer 110, the common multiplying factorfor calculating the calibrated average amplitude of the calibrated modelsignal based on the reference average amplitude of the model signal,etc.

Examples of data transmitted by the configuration interface 213 of thechannel configurator 210, received by the configuration interface 133 ofthe filter 130, and stored in the memory 132 of the filter 130, include:the dedicated frequency band and/or amplitude for performing theband-pass filtering function of the filter 130.

Selecting a Loudspeaker Based on its Low Frequency Rendering

Referring now concurrently to FIGS. 4, 11, 12A, 12B and 12C, the system200 for selecting a loudspeaker based on its low frequency rendering isrepresented. The system 200 represented in FIG. 11 comprises theplurality of synthesizers 110, the plurality of filters 130, theplurality of loudspeakers 140, and the channel configurator 210.

Each synthesizer 110 is dedicated to a particular channel. Thus, foreach particular channel, the dedicated synthesizer 110 generates asignal which is filtered by the corresponding filter 130, and is furtherplayed by the corresponding loudspeaker 140. For illustrations purposes,FIG. 11 represents three synthesizers 110 for operating threecorresponding channels. However, the number of synthesizers (andcorresponding channels) may vary, and is at least equal to two. Asmentioned previously with reference to FIG. 2, the plurality ofloudspeakers 140 are positioned on the wall 155 of the physicalsimulation environment 150 of the simulator. The channel configurator210 selects a particular loudspeaker 140 based on its low frequencyrendering.

The functionalities of the channel configurator 210 represented in FIG.4 further comprises dedicated software component(s) (and optionallydedicated hardware component(s)) for selecting a loudspeaker based onits low frequency rendering.

The filters 130 may be selected and/or configured so as to have the samelow frequency rendering. For example, for controlling the cost of thesystem 200, a combination of lower quality and cheaper filters 130 (withpoor low frequency rendering), and higher quality and more expensivefilters 130 (with good or excellent low frequency rendering), is used.Additionally, the system 200 may require that some of the filers 130have a good or excellent high frequency rendering, a good or excellentrendering of a particular range of frequencies, etc. Thus, each filter130 may have a specific frequency rendering, and in particular the lowfrequency rendering of at least some of the filters 130 may differsignificantly.

If the system 200 needs to generate a model signal having a referenceamplitude spectrum with low frequencies, the channel configurator 210selects one among the plurality of loudspeakers 140 based on thereference amplitude spectrum of the model signal and a low frequencyresponse of each one of the plurality of loudspeakers 130. The referenceamplitude spectrum may only comprise low frequencies (the model signalis a bass signal). Alternatively, the reference amplitude spectrumcomprises low frequencies along with other frequencies. The channelconfigurator 210 only aims at optimizing the rendering of the lowfrequencies of the reference amplitude spectrum.

FIG. 12A illustrates an exemplary low frequency response of twoloudspeakers 140. The low frequency response represents the maximumamplitude of a signal played by each loudspeaker 140 for frequenciesincluded in a low frequency range. A first low frequency response isrepresented for a first loudspeaker 140 associated to channel 1. Asecond low frequency response is represented for a second loudspeaker140 associated to channel 2. Only two channels are considered forsimplification purposes, but the selection is performed based on the lowfrequency response of all the channels of the system 200.

The low frequency response for the first loudspeaker 140 associated tochannel 1 is good in a range of low frequencies [0, F_(max)]. A signalplayed by the first loudspeaker 140 is rendered with a good restitutionof the amplitude in the low frequency range [0, F_(max)].

The low frequency response for the second loudspeaker 140 associated tochannel 2 is bad in the range of low frequencies [0, F_(max)]. A signalplayed by the second loudspeaker 140 is rendered with a bad restitutionof the amplitude in the low frequency range [0, F_(max)]. The amplitudeis cut as will be illustrated in FIG. 12B.

FIG. 12B illustrates an exemplary reference amplitude spectrum of amodel signal. The amplitude of the model signal is represented for threeexemplary frequencies (F₁, F₂ and F₃) included in the range of lowfrequencies [0, F_(max)] of the model signal. The amplitudes of themodel signal outside the range of low frequencies (frequencies greaterthan F_(max) such as F₄ for example) is not taken into consideration bythe ′.

The range of low frequencies [0, F_(max)] taken into consideration bythe selection algorithm applied by the channel configurator 210 may bestatically configured. Alternatively, the range of low frequencies [0,F_(max)] taken into consideration by the selection algorithm isdynamically adapted for each specific model signal, based on theparticular reference amplitude spectrum of the model signal. Instead ofstarting at 0, the range of low frequencies may start at a lowerfrequency F_(min) and finish at the higher frequency F_(max), forexample 20-200 Hz.

FIG. 12C illustrates the amplitude spectrum of the model signal playedrespectively by the first loudspeaker 140 (channel 1) and the secondloudspeaker 140 (channel 2).

The amplitude spectrum of the model signal played by the firstloudspeaker 140 (associated to channel 1) in the range of lowfrequencies [0, F_(max)] is the same as the reference amplitude spectrumrepresented in FIG. 12B. The rendering of the model signal in the lowfrequencies is adequate.

The amplitude spectrum of the model signal played by the secondloudspeaker 140 (associated to channel 2) in the range of lowfrequencies [0, F_(max)] is degraded when compared to the referenceamplitude spectrum represented in FIG. 12B (the amplitude of the modelsignal at the frequencies F₁, F₂ and F₃ has been cut by the secondloudspeaker 140). The rendering of the model signal in the lowfrequencies is not adequate.

In this particular example, the channel configurator 210 selects thefirst loudspeaker 140 associated to channel 1. Upon selection by thechannel configurator 210, the synthesizer 110 associated to channel 1generates the model signal. Then, the filter 130 associated to channel 1filters the generated model signal. Finally, the selected loudspeaker140 (associated to channel 1) plays the filtered model signal. Thegeneration of the model signal by the synthesizer 110 under the controlof the channel configurator 210 is similar to the generation of themodel signal by the synthesizer 110 represented in FIG. 4. Only twochannels have been considered for simplification purposes in thisparticular example. However, the selection is performed taking intoconsideration all the channels of the system 200.

An exemplary implementation of the selection algorithm performed by thechannel configurator 210 is as follows. Based on the low frequencyresponse of the loudspeakers 140 for all the channels (FIG. 12A) and thereference amplitude spectrum of the model signal (FIG. 12B), a simulatedaverage amplitude for the low frequencies is calculated (FIG. 12C). Thesimulated average amplitude for the low frequencies consists in theaverage amplitude of the reference signal when played by eachloudspeaker 140 calculated over the low frequency band (e.g. [0,F_(max)]). The channel associated with the loudspeaker 140 providing thehighest simulated average amplitude for the low frequencies is selected.

The memory of the channel configurator 210 stores the low frequencyresponse of all the loudspeakers 140, and reference amplitude spectrumsfor a library of model signals which can be generated by thesynthesizers 110. Upon selection of the channel associated with one ofthe loudspeakers 140 for playing a particular model signal, the channelconfigurator 210 configures via its configuration interface thesynthesizer 110 associated with the selected channel to generate theparticular model signal. For instance, the channel configurator 210transmits via its configuration interface the reference amplitudespectrum of the particular model signal to the synthesizer 110associated with the selected channel.

Dynamically Adapting Calibrated Multi-Channel Non-Coherent Signals

Referring now concurrently to FIGS. 13, 14 and 15, the system 200further dynamically adapts calibrated multi-channel non-coherentsignals.

The channel configurator 210 operates in a manner similar to the channelconfigurator 210 represented in FIG. 4 for configuring the synthesizers110 and/or the filters 130. However, an additional feature is added,consisting in a feedback loop from a sound sensor 420 positioned insidethe physical simulation environment 150 to the channel configurator 210.The sound sensor 420 is preferably positioned at position 160 in thephysical simulation environment 150, where a user of the simulator ispositioned when performing a simulation. Thus, the sound measured by thesound sensor 420 is as close as possible to the sound perceived by theuser performing the simulation.

The sound measured by the sound sensor 420 is referred to as thephysical simulation environment sound. The physical simulationenvironment sound comprises the plurality of sound signals 141respectively played by the plurality of loudspeakers 140. In addition,the physical simulation environment sound also comprises an ambientnoise created by the components of the physical simulation environment150. The ambient noise of the simulator is representative of variousfactors, including the activity of the user(s) of the simulator, noisecreated by components of the simulator during operation, etc. The soundsensor 420 measures a physical simulation environment signal amplitudeand the ambient noise, and transmits the physical simulation environmentsignal amplitude and the measured ambient noise to the channelconfigurator 210.

As mentioned previously, the channel configurator 210 of the system 200represented in FIG. 4 configures each synthesizer 110 and/or filter 130to generate the signal generated by the synthesizer 110 according to acalibrated amplitude spectrum of the signal. The calibrated amplitudespectrum is determined based on a reference amplitude spectrum of thesignal and at least one parameter selected among one of the following: atarget global signal amplitude, a directionality of the signal whenplayed by the corresponding loudspeaker 140, the ambient noise, thephysical simulation environment sound and a frequency response of thesynthesizer 110.

The channel configurator 210 of the system 200 represented in FIG. 13takes into consideration the feedback loop between the sound sensor 420and the channel configurator 210. More specifically, the channelconfigurator 210 determines the calibrated amplitude spectrum of thesignal generated by the synthesizer 110, based on the referenceamplitude spectrum of the signal and an adjusted global signalamplitude. The adjusted global signal amplitude is calculated (by thechannel configurator 210 or the synthesizer 110) based on the targetglobal signal amplitude, the measured physical simulation environmentsignal amplitude transmitted by the sound sensor 420 and the measuredambient noise measured by the sound sensor 420.

The determination of the calibrated amplitude spectrum of the signal,based on the reference amplitude spectrum of the signal and the adjustedglobal signal amplitude, is similar to the previously describeddetermination (by the system 200) of the calibrated amplitude spectrumof the signal, based on the reference amplitude spectrum of the signaland the target global signal amplitude (the target global signalamplitude is replaced by the adjusted global signal amplitude forperforming the determination).

The target global signal amplitude is a fixed reference value for theglobal signal amplitude. The target global signal amplitude isdetermined for allowing the user of the simulator to perform thesimulation in the best possible audio conditions when positioned atposition 160 in the physical simulation environment 150. The targetglobal signal amplitude is configured at the channel configurator 210.

The physical simulation environment signal amplitude is the signalamplitude of the sound perceived by the user of the simulator positionedat position 160 in the physical simulation environment 150 whenperforming the simulation. The physical simulation environment signalamplitude may differ from the target global signal amplitude based onthe current operating conditions of the system 200.

The ambient noise is the noise perceived by the user of the simulator,and created by the immediate surroundings of the user, such as byelectric, hydraulic, pneumatic and mechanic components of the simulatoror in the vicinity of the simulator, either caused by the operation ofthe simulator or independent of the operation of the simulator.

The adjusted global signal amplitude takes into consideration thedifference between the physical simulation environment signal amplitude,the ambient noise signal amplitude, and the target global signalamplitude in the computation of the calibrated amplitude spectrum of thesignal generated by the synthesizers 110 and the filters 130, so thatthe physical simulation environment signal amplitude perceived by theuser of the simulator converges towards the target global signalamplitude.

FIG. 15 illustrates an algorithm 500 for calculating the target globalsignal amplitude. The steps of the algorithm 500 are implemented by thechannel configurator 210, except for step 540 which can also beimplemented by the synthesizer 110.

At step 510, the stored adjusted global signal amplitude is initializedwith the target global signal amplitude. Since no physical simulationenvironment signal amplitude has been taken into consideration yet, thesystem 200 is supposed to be functioning in an optimal manner.

At step 520, a new value of the physical simulation environment signalamplitude is received from the sound sensor 420.

At step 525, a measure of the ambient noise signal in the physicalsimulation environment is received.

At step 530, the adjusted global signal amplitude is calculated bymaking the sum of the previously stored (at step 510 initially, and thenat step 550) adjusted global signal amplitude and the difference betweenthe target global signal amplitude and the received (at step 520)physical simulation environment signal amplitude and the measuredambient noise signal.

At step 540, the calibrated amplitude spectrum of the signal isdetermined based on the reference amplitude spectrum of the signal andthe calculated (at step 530) adjusted target global signal amplitude.

At step 545, the calculated (at step 530) adjusted global signalamplitude is stored for the next iteration.

After step 545, the next iteration of the loop starts at step 520, asillustrated in FIG. 15.

As mentioned previously, the determination of the calibrated amplitudespectrum of the signal based on the reference amplitude spectrum of thesignal and the adjusted global signal amplitude may also take intoconsideration at least one of the following parameters: a directionalityof the signal when played by the corresponding loudspeaker 140, and afrequency response of the synthesizer 110.

Although the present disclosure has been described hereinabove by way ofnon-restrictive, illustrative embodiments thereof, these embodiments maybe modified at will within the scope of the appended claims withoutdeparting from the spirit and nature of the present disclosure.

1. A system for generating calibrated multi-channel non-coherentsignals, comprising: a plurality of synthesizers for generating acorresponding plurality of signals; a plurality of filters for band-passfiltering the plurality of generated signals, each filter filtering thesignal generated by one of the plurality of synthesizers, each filterbeing configured for performing the band-pass filtering in a dedicatedfrequency band; a plurality of loudspeakers for playing the plurality offiltered signals, each loudspeaker playing the signal filtered by one ofthe plurality of filters; and a channel configurator for configuring atleast one of the filters for performing the band-pass filteringaccording to a calibrated amplitude spectrum of the signal, thecalibrated amplitude spectrum being determined based on a referenceamplitude spectrum of the signal and a target global signal amplitude.2. The system of claim 1, wherein the determination of the calibratedamplitude spectrum of the signal based on the reference amplitudespectrum of the signal and the target global signal amplitude comprisesdetermining a calibrated average amplitude of the calibrated amplitudespectrum based on a reference average amplitude of the referenceamplitude spectrum and the target global signal amplitude, the sum ofthe calibrated average amplitude of the plurality of signals beingsubstantially equal to the target global signal amplitude.
 3. The systemof claim 1, wherein the determination of the calibrated amplitudespectrum of the signal generated by each filter is further based on atleast one of the following: a directionality of the signal when playedby the corresponding loudspeaker and a frequency response of thesynthesizer.
 4. The system of claim 1, wherein each generated signalconsists of one of the following: a noise signal, a combination of noisesignals, a tone signal, a combination of tone signals, and a combinationof at least one noise signal and at least one tone signal.
 5. The systemof claim 1, further comprising a physical simulation environment of asimulator, the plurality of loudspeakers being positioned on a wall ofthe physical simulation environment for transmitting the plurality ofplayed signals to a user of the simulator positioned inside the physicalsimulation environment.
 6. The system of claim 5, wherein the simulatorconsists of an aircraft simulator and at least one of the plurality ofgenerated signals consists of one of the following: a sound signalcorresponding to aerodynamic hiss, a sound signal corresponding toengine noise, a sound signal corresponding to flaps being raised orlowered, a sound signal corresponding to landing gear being deployed orretracted, and a sound signal corresponding to a hydraulic pump beingactivated. 7-18. (canceled)